The experience of reading the novel is sensory and immediate. In experiencing these family secrets firsthand, Leigh begins to understand her place within a complicated family. Pan gives her own grandmother’s story to Leigh’s grandmother: she was sold to another family to be raised as their son’s future wife, but she made her way back to her family of origin and married for love instead. While in Taiwan, Leigh witnesses vignettes from her mother’s and grandmother’s pasts with the help of mystical incense left by the bird. When Leigh flies to Taiwan, she leaves her relationship with Axel unresolved. But the afternoon Leigh and Axel finally share their first, fumbling kiss is the same afternoon Leigh’s mother takes her own life.

Their connection feels real and earned, and readers will hold their breath as the two get closer. They’re both artists, and creativity is their coping mechanism. The two of them help each other process both the good and the bad by asking “what color” they’re feeling. Leigh’s cycles of anxiety, frustration, detachment, guilt, and ultimately grief are thoughtfully rendered.Īxel is a loyal friend who has watched Leigh’s mother decline alongside her. Leigh and her father do everything they can for her, but their own fear sometimes prevents them from understanding the full severity of her condition. Yes, she endured struggles and disappointments in her life, but her depression is a disease independent of tangible stressors.

Leigh’s mother’s death is portrayed as a terrible effect of a mental illness. Pan’s treatment of suicide is honest, respectful, and complex. Her daily life has ricocheted between a sweet will-they-won’t-they crush on her best friend, Axel, and coping with the effects of her mother’s worsening depression. The narrative jumps between Leigh’s visit with her grandparents and her memories of the last few years at home. Pan unspools family secrets and the complexities of grief with lush imagery (both realistic and otherworldly) and character-driven storytelling. In THE ASTONISHING COLOR OF AFTER, a New York Timesbestseller and Indie Next List Pick, debut author Emily X. Leigh has never met them, but now she must, if she wants to see the bird again. And the bird wants her to take these artifacts to her grandparents in Taiwan, grandparents from whom her mother had been estranged for decades. Then one night, the bird delivers a box full of artifacts from her mother’s past. In the long, quiet aftermath of her mother’s suicide, Leigh craves her presence.

She’s seen her, a majestic red bird with a huge wingspan, on the doorstep late at night. Leigh Chen Sanders knows her mother is a bird.

The Midnights by Sarah Nicole Smetana